Tuesday, March 6, 2012

A Journey in Tibet - Opening at Sous Les Etoiles Gallery




"A Journey in Tibet" is a series of photographs from Laurent Zylberman which is being shown at the Sous Les Etoiles Gallery. On Thursday, March 15th, they will be celebrating the opening night from 6 pm to 8 pm, with the artist in attendance. The gallery is located at 560 Broadway Suite 205.

After the riots of 14-16 March, 2008, the photographer Laurent Zylberman and the journalist Eric Meyer were among the first westerners authorized to enter in Tibet, a forbidden region, under traumatized military guard and armed to the teeth.“ We had the desire to place ourselves in the interstices of the economic, social and religious Tibetan society, seize people’s eyes and their relationship with each other revealing a reality they cannot talk or voluntarily express” said Laurent Zylberman.

A Journey in Tibet is a series based on a 15-day mission through “The Top of the World”, between Lhasa, Shigatze, Giangtze and Namso Lake. This photographic journal describes the culture’s vulnerability, allowing us to discover significant internal contradictions of China’s policy for its “autonomous territory.” Each photo solicits strange, unexpected and profound poetry. This awe-inspiring environment in extreme conditions, settled by a very sparse population conveys a feeling of gravity and greatness.

The religious feeling and behavior of friars, laymen and laywomen are discussed, as well as Tibet's spiritual and popular rural culture, which remains largely intact today.

This confrontation nourishes introspection. It forces us to confront the necessary efforts to help both sides of this heterogeneous population, overcome their biases, and to convert the liability
of hatred into an asset of mutual respect.

The series A Journey in Tibet from Laurent Zylberman is part of the book Tibet, The Last Scream written by Eric Meyer, an accredited China correspondent for various francophone medias.


The publication of this diary and photobook, will be released in 2012 in three languages and countries (USA, France, and Spain).

The exhibition A Journey in Tibet at Sous Les Etoiles Gallery is made possible with the support of Rita Castellote Gallery in Madrid, Spain.

HONEY ME TO TEARS



Honey Me To Tears opens March 6th at Honey Space from 6:00 - 9:00 PM. The show runs from the 6th until the 17th and includes works by:

Adam Stanforth
Aesthesia
Allison Read Smith
Benjamin Heller
Carlton DeWoody
Chadwick Tyler
Daphane Park
David Brooks
Hackett
Ian Campbell
INNER COURSE
John Wells
Lisa Lozano
Max Schumann
Maynard Monrow
Mickey Western
Midori Harima
Nils Folke Anderson
Peter Schumann
Swoon
Thomas Beale
Tora Lopez


Honey Space
148 11th Ave (btw 21st & 22nd st.)
http://www.honey-space.com/

Thursday, March 1, 2012

2012 Whitney Biennial Opens Today!




Sculpture, painting, installations, and photography—as well as dance, theater, music, and film—will fill the galleries of the Whitney Museum of American Art in the latest edition of the Whitney Biennial. With a roster of artists at all points in their careers the Biennial provides a look at the current state of contemporary art in America. This is the seventy-sixth in the ongoing series of Biennials and Annuals presented by the Whitney since 1932, two years after the Museum was founded.

The 2012 Biennial takes over most of the Whitney from March 1 through May 27, with portions of the exhibition and some programs continuing through June 10. The participating artists were selected by Elisabeth Sussman, Curator/Sondra Gilman Curator of Photography at the Whitney, and Jay Sanders, a freelance curator and writer who has spent the past ten years working both in the gallery world and on independent curatorial projects. Sussman and Sanders co-curated the Biennial’s film program with Thomas Beard and Ed Halter, the co-founders of Light Industry, a venue for film and electronic art in Brooklyn.

The Whitney’s fourth-floor Emily Fisher Landau Galleries will become a dynamic 6,000-square-foot performance space for music, dance, theater, and other events. This is the first Whitney Biennial in which nearly a full floor of the Museum has been given over to a changing season of performances, events, and residencies.